Readings, required
- NYT article, 2010, A.O. Scott’s How Real Does it Feel?, for wk 2
- Scott McCloud’s Understanding Comics, ch 4, “Time Frames,” for wk 3
- Joel Beeson’s Inside the Empathy Machine; VR, Neuroscience, Race, Journalism, for wk 4
- Melina Gills Gabo Arora on Making VR With Vrse.Works & the UN, for wk 5
- John Vorwald & Ethan Wolff, How to Write a Story, Developing your Story Idea, wk 8
- MIT Open Lab’s Stereoscopy to Condition One, wk 9
Readings, recommended
- H. Porter Abbott, Introduction to Narrative, ch1, Narrative And Life
- Jerome Bruner, The Narrative Construction of Reality
- Jorge Louis Borges, Garden of Forking Paths
- Gonzalo Frasca, Simulation vs Narrative, Introduction to Ludology
- Christian Metz, On the Impression of Reality in Cinema
- Eyes, Lies & Illusion, ch 2, The Art of Deception
- Brenda Laurel, Computer as Immersive Theater
- Marie-Laure Ryan, Immersion vs Interactivity, VR and Literary Theory
- Ivan Sutherland, Augmented Reality, The Ultimate Display; 1965
Presentations
- History of Illusion, 083016
- Immersive Aesthetics, 090716
- 360 Video Overview, 091416
- VR UX, 092116
- VR storyboarding, 092816
References
- VR storyboard layouts
- Whitney’s Dreamlands: Immersive Cinema and Art exhibition 102816 – 020517
- Tribeca Film Institute annual Storyscapes exhibitions
- Versions, Creative Landscape of Virtual Reality Conference at the New Museum in March 2016